Category Archives: Social Media

Write This Way, Condensed: Top Writing and Editing Links For June 9, 2013

loislanePhoto courtesy JD Hancock

Lois Lane Isn’t Dead, She’s Reinvented: How Journalists Can Adapt to the Changing News Sphere | Engage

Young journalist Stephanie Schaefer discusses how reporters of any age can stay passionate, and keep their careers viable, in today’s greatly altered media landscape. She encourages writers to study and leverage how readers are engaging with content these days (mobile/social media), to learn how to craft or collaborate with others to create integrated, multimedia/multisensory story experiences, and to retain a passion for storytelling. I couldn’t agree more with her points, and her optimism is refreshing without seeming naive.

A new kind of activist journalism: When finding solutions are part of journalists’ job, too

For old-school journos, this headline on the Nieman Journalism Lab blog is going to sound like heresy – until you consider that all the public affairs reporting done over the years is generally provided with the intent of making readers lives more functional by providing a comprehensive look at pressing problems and possible solutions, in addition to examining when a system is broken. Jan Schaffer, executive director of American University’s J-Lab, argues that with the changing business models for new media outlets, she is also seeing a change in how these outlets view their role in the community when it comes to presenting options to the status quo or encouraging particular solutions:

“To be sure, advocacy is still a dirty word for legacy journalists, unless it’s an editorial-board crusade. But activating examples are rising from both inside and outside mainstream media. …

“From my perch, I see many indie news startups embrace what I call more of a “soft-advocacy” comfort level with news. ClearHealthCosts.com is partnering with WNYC to map widely disparate costs of mammograms in the New York region. PlanPhilly has not only spotlighted the enormous problem of delinquent property taxes in Philadelphia, it reported on how the city might fix its broken system. When Catalyst Chicago reported there were too many empty seats in the city’s pre-school programs, it didn’t stop there. It worked with local community organizations to produce a series of forums on early childhood education. A year later, nearly all the pre-school slots were filled.”

Overall, a very interesting look at where journalism is headed, and how embracing this evolving role might also help make the new ventures more profitable/viable, as well.

What journalists need to know about ‘content marketing’

I’ll be honest – I could do with out the scare quotes in this Poynter.org blog post headline. I found them unbelievably off-putting, but this post by Shane Snow, who creates sponsored content for clients through his firm Contently, is actually a very solid guide for journalists who want to/are working both sides of the editorial fence. I am in complete agreement with Shane’s remarks about the need to retain a highly calibrated ethical compass:

“With the exception, perhaps, of independence, branded content ought to abide by the same principles as journalism: honesty and fairness, accountability and transparency. And because the goal of brand journalism is to create a favorable impression of a brand in order to further various business goals, disclosure must be added to its list of ethics principles. …

“It’s all about not deceiving readers. Brand publishers should make clear who is behind a piece of content and why. Journalists who write for brands need to ensure their clients understand the ethical reasons for such disclosure.”

If you’re drawn to the increasing number of good-paying gigs in content marketing, but are wary of tarnishing your reputation in traditional media, you need to read this piece.

What Public Radio Can Teach Nonprofits About Effective Storytelling

Get ready for a new way to engage with workshop/presentation content: this Storify version of a talk presented by Will Coley, nonprofit staff member turned public radio evangelist and Minnesota Public Radio reporter Sasha Aslanian includes an embedded slideshow on Prezi (which sort of blows PowerPoint out of the water …), live-tweets from the talk, and text summaries of their remarks. You can also access their radio example, an interview with Valencia, a local Twin Cities teen experiencing homelessness.

The thing I found most useful, as an aspiring audio producer, is the list of advantages to using audio for nonprofit storytelling. One that’s right at the top is that audio provides greater anonymity for subjects who may be in situations which call for confidentiality and privacy, while retaining a sense of intimacy with listeners. Another advantage for audio is that it is far cheaper to produce.

If your organization is thinking about multimedia storytelling, and they seem to have overlooked audio-only content, read/view/listen to this post and you can advocate for adding public-radio style audio storytelling to the mix.

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Write This Way: Top Writing and Editing Links for May 15, 2013

Dollars funnel.

Photo courtesy SXC.

10 Simple Steps to Get Your Journalism Project Funded | MediaShift Idea Lab

Jordan Young of the Knight News Innovation Lab at Northwestern University walks readers through the steps she took to get her side project, Boxx Magazine, off the ground with funding. My two favorite tips are things that many journalists have trouble putting into practice …

Get Help. Track down people who have been awarded grants before and ask them for advice. If you’re like me, you’re not naturally inclined to ask for help and you haven’t done anything like this before. You’re learning while doing. Don’t be afraid or ashamed to ask for help. The best way to save time is to gather all the helpful tips from those who have tried something similar before.

 Learn some business. You will need at least a basic understanding of business concepts, or have a partner who does. Not everyone majored in business — I’m finally glad I did. Again this is where research is your best friend. Take a class, ask for advice, and use that Internet.

Confessions of a Twitter Holdout | Poynter

Stephanie Yamkovenko, a freelance journalist in the Washington, D.C., area, discusses how she overcame her fears of tweeting and discovered that Twitter could be a boon, not a bane, to her career. Early adopters may find some of her former fears somewhat exaggerated, but I think this post is a great comfort to more old-school journalists who still wonder what the hoopla is about and how to use the platform responsibly.

Here’s a sample of what she’s talking about, in a segment where she discusses overcoming the fear of appearing biased if she used Twitter:

I feared seeming biased.

I’m no ideologue, but I prefer not to share my opinions publicly and was afraid these might “slip out” on Twitter. I’ve found it’s possible to stay politically neutral on Twitter, though it does take some effort. Before I follow someone or retweet something, I try to imagine how a reader might interpret that action. If it would make someone question my objectivity, I don’t do it — just like I don’t put campaign signs in front of my house or bumper stickers on my car.

What Listening to a Story Does to Our Brains | Buffer

Leo Widrich, co-founder of Buffer, shares brain research that articulates precisely why storytelling produces such a profound impact on our brain and the brains of others. He also provides several tips for leveraging that power to accomplish your goals in terms of influence with other people using storytelling.

Dan Gillmor Says Journalists Are Uninformed About Who Controls the Platforms They Publish On

Caroline O’Donovan, a staff writer for the Nieman Journalism Lab, writes a thought-provoking piece about Arizona State University journalism professor Dan Gillmor (who is a heck of a nice guy, BTW – I have interviewed him for a podcast and he’s judged a writing contest my magazine held) and his attempts to help journalists better understand online security systems and controls. Gillmor’s concern is that journalists aren’t aware of the impact of widely used platforms (like Facebook, for example) when they block or censor content. She quotes Gillmor talking about why remaining ignorant of this issue can do more than just put their own careers at risk – it can endanger the lives or livelihoods of their sources:

It’s not just employees and others who want to blow whistles who need to be more careful — such as using external accounts, encryption and a lot of other tools to be safer. (Note: I didn’t say “safe”, because absolute safety is exceedingly hard to achieve, if it’s even possible.) Journalists, too, need better tradecraft when it comes to their dealings with sources. My impression of the typical newsroom’s precautions is that there aren’t many.

It’s a great introduction to a topic I have to admit I hadn’t really given much thought to before.

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Write This Way, Condensed: Top Writing and Editing Links for December 30, 2012

OLYMPUS DIGITAL CAMERA

Photo courtesy of SXC.

False Starts | Adam Westbrook

Was 2012 not quite what you were hoping, in terms of your creative output? Well, Westbrook, a sharp, talented UK-based multimedia journalist, has a little pep talk for anyone who’s ever started a project, only to see it falter. He lists more than half a dozen of his own false starts, and tells readers of his (recently) retired blog:

The point is, every one has false starts and stumbles. Everyone falters and fails, particularly on the way to doing important work. Although each of these were disappointing and painful at the time, I learned something important from each of them. Don’t be set back by your personal false starts. The people who make it in the end are the ones who pick themselves back up, dust themselves off and get busy again. As long as you learn something from them they haven’t been a waste of time.

The best in narrative, 2012: Storyboard’s top picks in audio, magazines, newspapers and online
The Nieman Storyboard blog, a project of the Nieman Foundation for Journalism at Harvard, provides links to 34 pieces of narrative nonfiction in a variety of formats. The list provides access to a sumptuous feast to sate your end-of-the-year reading hunger, and it’s a great guide to writing/editing/producing excellent stories.

Five Things My Literary Agent Taught Me About Publishing Success

Tim Sanders of Net Minds publishing company discusses five valuable lessons his literary agent, Jan Miller, taught him. I like the point he makes about focusing on writing a strong book, rather than expecting promotional tricks to drive everything in terms of sales.

A book must “work”.  Promotion just gives it a chance to work – (Jan) learned this working with all of her authors over time.  Her point is that books must connect deeply with readers, so the reader tells all of his friends to buy the book. While you sleep, your book is working, promting itself via its quality. Without word-of-mouth or BIG media, books languish in obscurity. Marketing and promotion places the book into enough hands for the resulting word-of-mouth to make a big difference.  To write a book that works: Write what you know and then show us who you are.  Be generous, helpful and provocative.

Can You REALLY Make Money Blogging? [7 Things I Know About Making Money from Blogging]

Darren Rowse, creator of ProBlogger, offers his opinion on the blogging-for-money question, based upon his experience and those of the people with whom he interacts and works as the owner of a blog about blogging professionally. I found the post very matter-of-fact and grounding. Here’s a sample of what he has to say, in this case about whether there is a single formula to follow to make a living as a blogger.

From time to time, people have released products that claim to be formulas for success when it comes to making money online. They outline steps to follow to “guarantee” you’ll make money. In my experience there is no formula. Each full-time blogger I’ve met in the last ten years has forged their own path and has a unique story to tell. They have often acted on hunches and made surprising discoveries along the way.

There are certainly similarities in many of the stories but each blogger has their own personality and style, each one is reaching a different audience, and each niche tends to monetize differently. The key lesson is to be aware of what others are doing and to learn what you can from each other, but to also be willing to forge your own path as well!

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Write This Way, Condensed: Top Writing and Editing Links for October 15, 2012

Photo courtesy SXC.

Longform Startups, New York and Beer | The FJP

Michael Cervieri of the Future Journalism Project interviews Noah Rosenberg, founder of Narratively, an innovative online/mobile start-up website that’s devoted to covering New York City in a fresh way. Rosenberg explains what the site is and how it works:

Narratively is a digital platform devoted to original, true, in-depth and untold stories. … Each week Narratively explores a different theme about New York and publishes just one story a day, told in the most appropriate medium for each piece. So, Monday might yield a longform essay, followed by a short documentary film on Tuesday, a photo essay on Wednesday, and an animation on Thursday. Fridays, we run a section called the “Park Bench” where we curate meaningful responses we’ve generated from our audience throughout the week, and we publish behind-the-scenes elements from our stories; the “Park Bench” is all about featuring different perspectives on each week’s theme.

He also explains the relaxed approach to editorial meetings that’s alluded to in the post’s title – and I have to say, this sounds good to me!

We like to refer to our weekly editorial gatherings as more “soiree” and less “meeting.” They’re very informal affairs that are as much about story-generation and feedback as they are about forming bonds within our passionate group of contributors. I’ve always loved bringing new people together and it’s been so rewarding to help foster friendships and connections all in the name of good times and great storytelling. The beer and the bar snacks are just a backdrop to some energizing discussions about important stories that would otherwise remain untold.

How Journalists are Using Soundcloud | Read Write Web

John Paul Titlow explains how radio journalists and many other writers are using Soundcloud, a social media tool that allows anyone with an account to share sounds with other users. Radio producers and podcasters are expanding their audience with Soundcloud; content experts such as Robert Scoble are publishing interviews with thought leaders, and The Huffington Post is using the service to crowdsource coverage of political robo-calls readers are receiving this election season. I am just scratching the surface of what Soundcloud can do, so this story was an inspiring prompt to dig deeper.

Best Book Editors on Twitter – GalleyCat

Jason Boog offers a list of editors, from a variety of genres and specialties, who have a presence on Twitter. It’s a great resource if you’re a writer or editor looking to make friends with social media folks who tweet, and the bios/intros for the editors on the list are instructive in and of themselves, in terms of how to be eye-catching in your introductory statement.

The Millions : Where We Write
The Millions, an online magazine offering coverage on books, arts, and culture, asked its readers who are writers to send them photos of where they worked. The photos are both a little astonishing (to me) and reassuring: from the writer who uses a guest bed to create a “writing nest,” to the scribe who created her own improvised standing desk to the gentleman who writes on a Royal manual typewriter and edits and transcribes on a Mac, each set up is quirky, individualized and tells a story about the storyteller.

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Write this Way, Condensed: Top Writing and Editing Links for February 24, 2012

Photo courtesy of SXC. 

Improving your writing by resting | Jeff Goins
Carol Tice, guest posting on Jeff Goins’ blog, presents a convincing case for taking one day off (and she means *completely* off) from writing and engaging via electronic devices each week.

Five Ways That Consistency Matters | Intelligent Editing
Geoff Hart explains why stylistic consistency matters, especially in the case of numbers (two vs. 2), capitalization, and word choice. I love his explanation about capitalization, since my pet peeve as an editor is inappropriate capitalization …

“In Western languages, capitalization indicates the start of a sentence or the presence of a proper noun. Changing from a capitalized form to a lowercase form triggers the reflex to ask whether the author has switched from discussing a named entity to a generic category. Each such hesitation slows reading, impedes comprehension, and increases the risk of an interpretation error.”

This post might come across to some as a little overly technical, but it’s good stuff for writers and the copy editors who serve them.

10 Must-Haves For Your Mobile Reporting Kit
Elana Zak, posting on the 10,000 Words blog, provides a nice summary of the tools that a 21st Century reporter needs to do his or her job. Some are obvious (mobile phone, business cards, a case to carry your gear) but some are not obvious to those who haven’t been out in the field since the rise of the smartphone (extra memory cards, a USB microphone). And her suggestion to bring a mini first-aid kit is just good common sense!

26 Tips for Writing Great Blog Posts | Social Media Examiner
Social media consultant Debbie Hemley takes readers from A to Z with good advice about writing blog posts that get read and shared. I’ve been blogging since 2007 and I learned a ton! Some of my favorite sections are Categories, Descriptions, Original vs. Curated Content, and Valuable Content.

Want to Make Money Online? Here’s What Sells | Online Journalism Review
Online journalism expert Robert Niles discusses five alternatives to paywalls for web content that can generate revenue for journalists. They include advertising, e-books, videos, merchandise and events.

“Write What You Know” Does Not Mean What You Think It Does | Fuel Your Writing
Icy Sedgwick discusses the old saw to write (fiction, especially) from your own experience, and helps readers go beyond the literal implications. Here’s a sample of her advice:

“Don’t take (the directive to write what you know) so literally – I’m pretty sure Tolkien didn’t have to go to Middle Earth, and JK Rowling never went to Hogwarts! The fundamental fact is that what you know is humanity, and how the world works, and human nature is fundamentally the same. While we all have different drives, desire, fears and goals, we have the same basic needs. The setting is just window dressing … characters need to be believable, even if they aren’t based in our reality.”

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Write This Way, Condensed: Top Writing and Editing Links for January 31, 2012

Photo courtesy SXC. 

10 tips for recording a better interview

UK journalist Adam Westbrook links to a short presentation he did to help his video journalism students record better interviews by focusing on storytelling.

His tip #1 is worth a visit to the post in the first place: “Know your character and story before you start filming” puts an emphasis on pre-interview research and rapport-building that is often lacking in quick media-gathering sessions.

10 ways journalists can use Twitter before, during and after reporting a story | Poynter

Mallary Jean Tenore, writing on Poynter.org, provides 10 solid suggestions for journalists who want to get more out of Twitter as a work tool.

A good example of how she uses the new medium’s strengths while avoiding its challenges to good reporting is reflected in her tip on building credibility.

“Misinformation can spread quickly on Twitter, especially during breaking news situations. …

“As a journalist, you can show your credibility by debunking incorrect information and only tweeting information you’ve verified. This doesn’t mean you shouldn’t tweet during breaking news situations. You can phrase your tweets by saying something along the lines of, ‘X is reporting Y, but we haven’t been able to confirm this information yet.’ Or send a couple of tweets saying: ‘We are working on this story and will tweet updates as soon as we have them.’ … ‘Here’s what we do know …’

“This enables you to get your voice in the mix, while letting your audience know that you’re on top of the story and care about getting it right.”

NPR’s Infinite Player: It’s like a public radio station that only plays the kinds of pieces you like, forever

Andrew Phelps, writing on the Nieman Journalism Lab blog, reports on the unveiling of National Public Radio’s Infinite Player, which functions as a Pandora-like web app for audio segments from public radio stories.

Of particular interest to me is the fact that the app came about as part of NPR’s “rapid iteration” culture:

“Infinite Player is a product of NPR’s culture of rapid iteration and a peek into the future of radio. The project came together in one-and-a-half development cycles — that is, about two weeks plus a few extra days to squash bugs.

“And it’s not a product release in the traditional sense, said Kinsey Wilson, NPR’s general manager of digital media. ‘It’s not nearly as baked as something we would launch even as a beta project. But it’s a way to do some rapid innovation and see if we’re even close to the mark and how people react to it.’”

Are You Too Scared to Write? Stop Thinking and Just Do It

Lifehack contributor Marya Zainab offers simple steps for reducing the amount of overanalyzing that often precedes writing sessions and increasing the amount of time spent actually writing.

The benefits of brainstorming for freelance writers | Helium

Contributing blogger Natalia Jones discusses several ways in which engaging in classical brainstorming techniques can kick-start a freelancer’s idea-generation process and boost their productivity.

AP Stylebook’s New Tool Automatically Proofreads Your Writing

A Mashable.com article that notes that the Associated Press will be releasing a Microsoft Word plug-in, AP StyleGuard, which provides guidance on writing copy that conforms to the AP’s standards for spelling, language, punctuation, usage and journalistic style.

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Write This Way, Condensed: Top Writing and Editing Links for December 4, 2011

Photo courtesy of SXC.

Why New Media Literacy Is Vital for Quality Journalism

Josh Catone, writing on Mashable, discusses the continuing (and increasing) importance of critical thinking skills for journalists and everyone else who gets their news from social media, blogs, online websites, etc. Lots of good examples peppered through out the piece.

Here’s a sample of what Catone has to say about how to define media literacy:

In today’s media-saturated world, the concept of literacy is again changing. According to Pinkard, kids in school today may not be considered literate in the future if they don’t fundamentally understand new forms of media — things like blogs, Twitter and streaming video. To be truly literate, though, you also need to be able to think critically about media, discern fact from fiction, news from opinion, trusted from untrustworthy. These issues have always been thorny, but the explosion of self-publishing has only made media literacy more vital to the preservation of our democratic society.

Conventional Wisdom and What It Says About Journalism | Adam Westbrook

Westbrook, a UK journalist who launched his portfolio career as an independent entrepreneur-journalist in the depths of the 2009 global recession, makes an assertion that conventional wisdom is rarely the protective influence many journalists assume it must be.

He writes,

Conventional wisdom is dangerous because it stops us doing the things we know we really want to. It stops people who ought to do great things, stretch their abilities on ambitious work and ultimately shape the future of journalism and publishing.

Why I Write With My iPhone

Lifehack contributor Chris Smith discusses why he prefers doing his daily writing work on his iPhone (vs. the iPad) and offers links to a few apps that make writing on that most popular of smartphones easier.

How journalism professors can use screencasts as an effective & efficient teaching tool

Journalism educator Katy Culver shares in a brief post on Poynter.org how she uses screencast technology to help students retain copy editing tenets through “narrated” quiz answer keys, record video software tutorials, and provide feedback on video and slideshow submissions from students.

Amazon Rewrites the Rules of Book Publishing | NYTimes.com

Amazon.com taught readers they don’t need bookstores – now it is teaching writers they may not need publishing houses. Amazon published 122 books this fall in an array of genres, in both physical and e-book form, representing a striking acceleration of the retailer’s fledging publishing program. An important article for everyone who wants to write books and have readers buy them!!!

How to Write What People Actually Want to Read | Write To Done

Mary Jaksch, chief editor of Write To Done, provides a quick, easy-to-understand tutorial for using a keyword search tool to determine the best topics to include in a blog, story, etc., based upon readers’ search queries.

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Write This Way: Top Writing and Editing Links for August 8, 2011

Photo courtesy SXC.

The book is not dead, it’s just shape-shifting | The Observer

Robert McCrum gives an upbeat assessment of recent changes in technology surrounding the book and asserts that, “As in every previous IT revolution, there will be (already is) a creative dividend.”

College Students Miss the Journalistic Potential of Social Media | PBS Media Shift

Devin Harner reports on a curious phenomenon he has witnessed when asking current journalism students to present original reporting on a blog and then market it through social media channels: they don’t see it as “real journalism.” He explores why this might  be so.

Here’s a sample quote:

“If students can’t see that there’s journalism lurking in the everyday things they do with information, especially now that technology has made such things constant, instant and ubiquitous, then we truly do have reason to worry about the future of journalism — particularly if the original digital divide is still a factor.”

HOW TO: Find and Land Freelance Work

Mashable’s Josh Catone interviews 3 freelance professionals to provide targeted advice on how to land work. His best (of 5) tips? Network, network, network; be precise; show passion. (Oh, and following a potential client’s application instructions never hurts either.)

The Jargon of the Novel, Computed | New York Times

Ben Zimmer reports on the work of the Corpus of Contemporary American English, or COCA, which brings together 425 million words of text from the past two decades, with samples drawn from fiction, popular magazines, newspapers, academic texts and transcripts of spoken English. The compiler of COCA, Mark Davies at Brigham Young University, has designed a freely available online interface that can respond to queries about how contemporary language is used.

7 Apps For Writing On Your iPhone | Lifehack

Chris Smith presents 7 iPhone applications that can facilitate quicker and more efficient writing from one’s mobile device. Apps described cover plain-text editors, outlining and mind-mapping, and journaling functions.

Teaching Creative Writing with Programming

Intriguing short post by Klint Finley of ReadWriteWeb, discussing a presentation by Adam Parrish at OSCon 2011. Parrish teaches Reading and Writing Electronic Text at New York University as part of the Interactive Telecommunications Program. Although the title emphasizes teaching creative writing through programming, the reverse is also true: the course teaches programming through experimental writing.

Parrish’s course doesn’t deal with artificial intelligence, or attempts at creating narratives or creating interactive hypertext. It covers, for lack of a better term, procedural poetry. Typically, a student takes a starting set of text, writes a Python program to modify that text and then interprets the results.

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Write This Way, Condensed: Top Writing and Editing Links for June 5, 2011

Photo courtesy SXC.

Everything You’ve Been Force-fed About Blogging Is Wrong

Karol Gajda, travel/lifestyle blogger at Ridiculously Extraordinary, discusses a recent discussion he had with other bloggers about what formulas for success really work, and he comes up with the conclusion that few pre-packaged directions work for everyone, but experimentation among success models can help identify what really resonates with the key audience for a blog.

13 Alternative Ways to Consume Your News

Jennifer Van Grove, writing on Mashable.com, has compiled an interesting roundup of apps and sites designed to facilitate news consumption. Includes everything from StumbleUpon and beyond-the-bookmark sites Instapaper and Read It Later to social news apps News.me, Zite, and Smartr. Anyone writing nonfiction for traditional print media will want to review this list for ideas on how to shape stories for an increasingly online/mobile audience.

Everyone Has a Story « The Artist’s Road

Patrick Ross, writing in the first few days after the U.S. military raid in Pakistan that led to the death of Osama Bin Laden, crafts a beautiful post that emphasizes that the man who pulled the trigger to kill Bin Laden, like the Navy SEAL team of which he is a member, has a story, one which he is eager to hear. The post and the comments that follow are a valentine to the power of story to humanize events with heavy historical importance.

How To Get The Most Out Of Your iPhone As A Reporting Tool | 10,000 Words

Lauren Rabaino provides several great tips for using your iPhone as a serious reporting tool. Most of them apply equally well to almost any smartphone. Some of my favorites: organize your apps, buy an audio adapter, use solid objects as a stabilizer for video.

Reading for Detail: Proofing Tips from our Editors | Beyond PR

The PR Newswire Editorial team frequently catches obvious mistakes in press releases submitted for distribution over the wire  – missing quotation marks, the website that doesn’t end in .com (or .org, etc.).   They also read every release carefully, double checking minute details. In March 2011 alone they found more than 12,000 mistakes. Here are some examples of mistakes that can reflect poorly on an organization – and some tips for fixing them before you hit “send.”

Susan Orlean Explains How Twitter Affects Her Long-Form Writing | PBS Media Shift

An interesting short post by Simon Owens relating how Orlean, who’s written many popular fiction and nonfiction books, has used Twitter to receive feedback, promote her work, connect with writers and editors and stay in touch between projects.

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Listen up: my podcast on writing careers today

Photo courtesy SXC.

I don’t often talk specifics about my day job, but earlier in the year, ASU Magazine, where I work as managing editor, published the winners from its first-ever writing contest. That experience could easily be a post in and of itself (or may worm its way into my memoirs) but one of the more interesting off-shoots of the experience was that I produced a podcast that featured interviews with two of the judges for the contest: novelist Jewell Parker Rhodes and journalism educator Dan Gillmor.

The podcast, which is part of the ASU Alumni Association’s official iTunes channel, The Alumni Experience, focuses on what fiction and nonfiction writers need to know in order to thrive in today’s rapidly changing media marketplace. Both Gillmor and Rhodes were a delight to interview, and no matter what genre you write in, you will learn something.

To access the podcast:

Visit The Alumni Experience page via  iTunes or the ASU Alumni Association’s podcast page. At both sites, you will want to select the podcast entitled “ASU experts discuss writing careers today.”

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