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Write This Way: Top Writing and Editing Links for November 1, 2009 November 1, 2009

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NaNoWriMo
The fall madness known as National Novel Writing Month, known as NaNoWriMo to insiders, starts today. The goal for this annual exercise in fictional speed-writing is to finish a 50,000 word (175 page) novel by midnight on Nov. 30.

Although I’m not a fiction writer myself, I like the challenge aspect to the event for several reasons:
• It gives writer-participants a near-term goal for completing a major work.
• It forces them to write consistently—probably every day—for an extended period.
• The consistency and goal pressure may actually relieve some writers’ perfectionist tendencies. The goal is to finish the novel—not write a great one! Writing what Anne Lamott would call a “shitty first draft” is definitely encouraged.

In 2008, NaNoWriMo had over 120,000 participants, more than 20,000 of whom crossed the 50k finish line. One variation of this event that might be of interest to writers in a variety of genres is NaBloPoMo, National Blog Posting Month. The contest (and its website) is more of a social network for daily bloggers, or those looking to improve their blog through marathon posting, and the challenge can be started at the beginning of any calendar month.

The Reconstruction of American Journalism
This link takes you to a watershed report by two esteemed professors at the Columbia University School of Journalism discussing the monumental changes in print journalism these days and proposes action steps to support and maintain quality public affairs reporting.
I haven’t read the PDF version of the report yet, or a shorter synopsis article written by the report’s authors that is posted on Columbia’s popular journal on the state of media, the Columbia Journalism Review. However, I do plan to read these documents, as well as the robust section of responses to the report that’s also on CJR’s website, and post my own take here at Write Livelihood.

For now, here’s beginning of the CJR synopsis version of the report, which lays out the stakes of the questions being asked and offers a hint as to the direction that the authors’ answers will go…

“Newspapers and television news are not going to vanish in the foreseeable future, despite frequent predictions of their imminent extinction. But they will play diminished roles in an emerging and still rapidly changing world of digital journalism, in which the means of news reporting are being re-invented, the character of news is being reconstructed, and reporting is being distributed across a greater number and variety of news organizations, new and old.

The questions that this transformation raises are simple enough: What is going to take the place of what is being lost, and can the new array of news media report on our nation and our communities as well as—or better than—journalism has until now? More importantly—and the issue central to this report—what should be done to shape this new landscape, to help assure that the essential elements of independent, original, and credible news reporting are preserved? We believe that choices made now and in the near future will not only have far-reaching effects but, if the choices are sound, significantly beneficial ones.”

Which Type of Digital Journalist Are You?
After you’ve taken time to read the Columbia University report on the future of journalism, you’ll want to read this post from Michelle V. Rafter’s WordCount blog.
Rafter links to a survey conducted by Northwestern University that explores the current online and social media habits of 3,800 journalists working in 79 newsrooms. (You can download the PDF of the report’s findings.)

The report places journalists who participated in the survey into one of six categories, based upon their desire for digital change …

Digitals: Spend the majority of their time online, perhaps have never worked for a print-only operation, feel comfortable at events hosted by the Online News Association.
Major shifters: Spend a lot of time online outside of work, wonder why they’re not being asked to spend more time exploring online potential for their content when they are at work.
Status Quos: Comfortable with the modest amount of time (average: 30 percent) that they spend producing online content.
Turn Back the Clocks: Only 6 percent of survey respondents fit this category. These folks hope the Internet somehow implodes and print will once again rule.
Moderately Mores: Wouldn’t mind dividing their work time evenly between print and digital content production.
Leaders: According to Rafter, this group is comprised of high-level publishers and editors who typically spend more time focused on print but would like to shift more of their attention to online operations.
Obviously, between the Columbia report and this one, there’s a lot of introspection being done on what journalism means in a blogging, socially networked world, and what it will take for today’s journalists (especially the veterans) to function successfully in a transformed industry landscape. (And if you’re wondering where I fit in the six groups mentioned above, I’d say somewhere between a Moderately More and a Major Shifter, with my tilt being toward a Major Shifter mindset.)

Bonus Links!!

Keeping a project alive
David Hewson, author of the popular Nic Costa novel series, has provided a great set of tips for keeping your writing projects on track, even when you’re not at the keyboard working on them.

People Watching for Character Development
From Shelby Rachel, guest blogging on the If You Give A Girl A Pen blog. Great thoughts on how to use observation in your fiction development.

Viral Loop Chronicles Part 1: Forget Everything You’ve Heard About Book Publishing
From the The Penenberg Post on Fast Company.com. The first in a series about how to get a book published in the social media age.

Write This Way: Top Writing and Editing Links for October 6, 2009 October 6, 2009

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International Association for Journal Writing

A tip of the blog to Eric Maisel’s Sunday newsletter for bringing this link my way. The IAJW is a coalition of journaling experts (therapists, writing teachers and others) and those who have been helped by the practice. The association says on its home page that it aims to help members “juice up (their) journaling” and it provides plenty of tips for doing just that. The site offers help for budding journalers, articles related to specific journal writing issues, and merchandise to help get the most out of journal writing, including e-books, classes and journaling software.

The association charges $49/year for membership, but also offers quite a bit of “sample” information for free. If you teach journal writing, or take the practice seriously as a writing-related discipline or a healing/self-discovery tool, this site may be worth checking out.

Top 10 Blogs for Writers – The 2009/2010 Winners

Michael Stelzner of Writing White Papers has once again tallied the best writing blogs and announces the winners. This year, there were 27 finalists. Winners included blogs that I regularly link to and admire, including Editor Unleashed, Write to Done, Urban Muse and Quips & Tips for Successful Writers, plus a few blogs new to me, such as Michelle Rafter’s WordCount and Fuel Your Writing.

The lists of winners and finalists form a great blueprint for setting up an RSS aggregator that provides a quick, enjoyable education in writing’s craft and business sides. For writing bloggers such as myself, it also provides a wonderful cadre of aspirational peers to admire and emulate.

Three Hot Books You Can’t Download

FastCompany.com reports on why three new books by the late authors Vladimir Nabokov, Frida Kahlo, and Ted Kennedy won’t be coming out on Kindle or another e-book format. It’s not (necessarily) because all 3 authors have gone to that great writing garret in the sky; and it’s not (necessarily) because of the subject matter, or printing requirements of the books, although those do factor into the decision to hold off on e-publishing in at least two of the three books. (Kahlo’s book is image-rich, of course, and Kindle doesn’t currently reproduce color imagery; and Nabokov’s unfinished work “The Original of Laura” was originally written on index cards and never organized by the author during his lifetime, so the printed version allows the reader to punch out the pages and rearrange them and he or she wishes.)

No, there’s no common theme that unites this paper-bound trio of books, but it does illustrate that despite the sharp rise in the popularity and profitability of e-books, and Jeff Bezos’ aggressive vision “to have every book ever printed, in any language, all available in under 60 seconds on Kindle,” not every book is appropriate for digital distribution, and that it’s still important to consider the individual title and its requirements before determining whether to go the e-book route.

What Makes a Story Work

A brief, powerful post from social media expert Chris Brogan’s blog. He quickly demonstrates why “the very best content is that which leaves us feeling like the hero.”

He elaborates on the hero-making theme, saying,

“Think about the movies you love. Think about the songs you replay over and over. Think about the books you read. When we participate in stories, the ones that move us the most are those where we see a bit of ourselves in the storyline, right?”

His tips for achieving this goal are as relevant for corporate deliverables as independent projects. They include:

  • Let them feel smart and included by letting them be introduced as “part of the group” or “in the know.”
  • Give them a solid map. The only time readers shouldn’t know where they’re going, Brogan says, is if they’re reading a mystery, or a Chuck Palahniuk novel.
  • Reward readers of longer pieces with checklists, summaries, etc., anything that validates that they’ve reached a certain level and are ready for your next step.
  • Respect their time by being as brief as possible.
  • Write about them, not you. Or, if you have to write about you (memoirs or biographies come to mind), give them something they can do to make meaning of what you’ve shared.

Overall, this is a great post, which can be consumed and digested in the time it takes to read it on your coffee break.

Bonus Links!!

She Writes

She Writes is a social networking community for female writers of all levels and genres. It also welcomes men to its community.

The Only 12 1/2 Writing Rules You’ll Ever Need

A great poster about writing from AllPosters.com.

Write This Way: Top Writing and Editing Links for September 7, 2009 September 7, 2009

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How Citizen Journalists Can Learn from Work of ‘Citizen Scientists’

This post is an excellent piece on PBS’s Media Shift Idea Lab about the alliance between professional scientists and citizen or amateur scientists, and what journalists could learn from this.

Post author Dan Schultz notes that he was tuned into scientific community’s attitude towards the contributions of non-professionals by an article on Carnegie Mellon University’s website that documented efforts by Eric Paulos, an assistant professor in the Human-Computer Interaction Institute, to equip “everyday mobile devices” with sensors used to collect reliable scientific data. The point of all this effort is to create “a new generation of ‘citizen scientists,’ connected both to the environment and each other.”

That story, combined with several other stories he read about recent astronomy discoveries being initially reported by amateur scientists, made him think about how journalists could learn from this friendly, if structured relationship between professional and non-professional scientists:

“All three types of scientists (professional, citizen, amateur) have beautifully compatible relationships.

“Professionals can safely focus on daunting tasks, knowing that amateurs are ready and willing to take on the smaller stuff (like keeping tabs on Jupiter). The community standards are clear and ultimately bound by cold hard observable fact, so amateurs can make meaningful contributions without diluting the knowledge base. Meanwhile, citizens are being empowered by professionals to help the scientific cause in a way that informs individuals and improves their lives.”

Shultz makes the following recommendations for journalists based on this.

    • Professional journalists can take the lead by clearly defining expectations, explaining best practices, and implementing an accessible infrastructure.
    • If amateur journalists do a good job of covering a smaller scope of topics or areas, then professionals can focus on the deeper, otherwise inaccessible issues.
    • Professional journalists are responsible for creating and maintaining the citizen network if they want it to meet their standards. (Emphasis mine)
    • Citizen networks need more than a host – they need to be explicitly empowered through tools and guidance.
    • A symbiotic relationship between the professional, the amateur, and the crowd is not just possible, it’s socially optimal.

      This article is the first one I’ve seen to turn the typically contentious and negative “real” journalist vs. blogger/citizen reporter debate on its head and posit citizen journalist work as a positive benefit to professional journalists. Definitely worth reading, considering, and discussing.

      Start With A Promise

      A great reminder on what the beginning of each story must do by veteran writing coach Jessica Page Morrell, guest posting on the Editor Unleashed blog.

      Morrell reminds us that, “Story openings are like job interviews, and if the words on the page entertain, you get the job. If they don’t, somebody who writes better gets the job.” She asserts that the easiest way to have your story get “hired” by editors (whom she correctly defines as “highly discerning reader(s) … connoisseurs who love the written word”) is to make a promise consistent with the genre you’re writing in, and then keep that promise.

      She takes readers through the various sorts of promises one might make in a memoir, in a science-fiction story, a romance, etc. These genre-specific tips also could apply to the tone of a nonfiction magazine article, and her general tips on matching the promise to the overall story should be taken to heart by nonfiction authors, who sometimes (in my experience as an editor) mistake a dramatic opening anecdote as a cure-all for a lack of feel for the true tone of the story they’re writing.

      As Morrell says,

      “An emotional opening prepares the reader for a heart-rattling journey, just as a philosophical opening promises a thoughtful exploration of themes, an action-packed opening promises a bronco-breaking ride, and a quiet beginning usually promises an intense exploration of characters’ lives.”

      Amen. Her post is a great reminder of the pact we make with the reader when we ask them to listen to our story, and our responsibility as writers to live up to the promise we make to them.

      Multimedia Magazine ‘FLYP’ Finds New Ways to Tell Stories Online

      From Poynter Online’s E-Media Tidbits section. Author Vadim Lavrusik reports on FLYP magazine, a New York-based publication that uses an innovative palette of online tools and Web 2.0 user functionality to cover topics from politics and science to art and music.

      FLYP augments traditional reporting and writing with animation, audio, video and interactive graphics. One of the major differences between FLYP and other magazines that have ramped up their digital/online versions is how the publication approaches news-gathering and production.

      “(Editor-in-chief Jim) Gaines said the production process at FLYP is different from any of the ‘old media’ publications he has worked for. At many publications there is a pyramid structure; at FLYP the production process is flatly distributed across teams. Everyone gathers and each medium is considered for a particular story. At magazines, on the other hand, the text is the primary medium. Even for Web sites multimedia elements are often an afterthought.”

      Another interesting point raised in the article is how FLYP is packaging rich media ads, which may help tease out the true profitability of using online ads as a mainstay of a publication’s business model. Currently, the publication is being privately funded by multi-millionaire Alfonso Romo, but Gaines would like to create a limited supply of “engaging” rich media ads which readers seek out, but which are not so commoditized that advertisers won’t pay top dollar for them.

      For writers and editors keeping tabs on where online media is going, especially how content and revenue will interact in the “everything should be free” web era, this article is required reading.

      Bonus Links!

      Promptly

      A fun little blog on the Writer’s Digest site that offers writing prompts for readers 3 times a week. Readers can upload their written response to the prompt in the comments section of each post!

      From Telegraph to Twitter: The Language of the Short Form
      Roy Peter Clark gets into microblogging and writes about its historical roots on Poynter Online’s Writing Tools blog.

      What I did with my summer vacation… August 27, 2009

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      After the last post on the perfect writer’s “staycation,” a blog reader might think that I had spent the entire month on the beach! Not so, unfortunately … here’s a quick update of life in Write Livelihood land and a few links that I’ve been thinking about during August.

      Time off: I did take a little time off from my day job editing a university magazine, but it was a working vacation. I visited Tucson to do a freelance story for a regional publication and ate a lot of delicious food, toured some beautiful buildings and generally soaked up the laid-back vibe of the Old Pueblo.

      I also paid a visit to Antigone Books, the local feminist bookstore, and bought a book there—almost a requirement for those of us wanting to give business to independent bookstores. If you’re of a progressive political bent and live in southern Arizona, it’s worth a visit to Antigone. You will find books there that you’re less likely to encounter in a chain bookstore. For example, the store had a tremendous collection of books on sustainability issues, including several hilarious eco-memoirs of authors trying to live in a more “green” manner.

      Assignments: I’ve been up to my eyeballs in writing assignments this month. Extra music stories for the biweekly I write for, the Tucson story mentioned above, and working on a podcast series at the day job. The podcasting is an “enterprise” assignment (self-developed) and I’m really excited about it, but like many such multimedia works-in-progress a lot of time has been spent ironing out technical glitches.

      Vacation Reading: I’ve had a chance to read a lot of online articles, most of it focusing on what Web 2.0 is doing to writing in general.

      Recommendations and the Reputation Economy

      Adam Nash, senior director for product and user experience at LinkedIn, makes a persuasive case that the avalanche of information being created in our Internet world has created a resurgence of interest in considering the context and source of any claim, post, story, etc. The post is a good primer for writers and editors on how to give and ask for recommendations (on LinkedIn or for one’s portfolio site, etc.) that are specific, detailed and relevant.


      Transparency is the New Objectivity

      David Weinberger discusses the above assertion that he made at his recent talk at PDF09 as it relates to journalism in our current “Age of Links.”

      Here’s one tantalizing tidbit:

      “What we used to believe because we thought the author was objective we now believe because we can see through the author’s writings to the sources and values that brought her to that position. Transparency gives the reader information by which she can undo some of the unintended effects of the ever-present biases. Transparency brings us to reliability the way objectivity used to.

      “This change is, well, epochal.”

      Say Everything

      This is a link to a brief Wired.com interview with Salon.com co-founder (and blogger) Scott Rosenberg related to his new book, “Say Everything: How Blogging Began, What It’s Becoming and Why It Matters.”  He discusses why some journalists and novelist Doris Lessing think blogs will destroy civilization, who thinks blogs are old hat and where blogging will be in 2019. Very nice and a short read.

      The Limits of Control

      An interesting article from the American Journalism Review. With journalists and their employers increasingly active on social media sites like Facebook and Twitter, news organizations are struggling to respond to a host of new ethics challenges.

      Write This Way: Top Writing and Editing Links for June 18, 2009 June 18, 2009

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      For this month’s link roundup, good things seem to come in twos.

      Conversations on a “sick” topic
      We’ve all heard about the health-care reform legislation that is making its way through Congress on the news, but how good is the coverage of health issues in general. I saw a pair of articles recently had experts giving a guarded prognosis to the current state of health journalism.

      In a Columbia Journalism Review “Talking Shop” column, Los Angeles Times health reporter Karen Ravn, who recently had her story about patient dishonesty, “Body of Lies,” published in her paper, discussed the future of her specialty with Sanhita Reddy.

      Ravn had an interesting point to make about the role of health blogs in the public’s perception of medical information:

      “I noticed … (on WSJ’s Health Blog!) that a new survey from the Pew Research Center found that 25 percent of all American adults have read someone else’s commentary or experience about health or medical issues on an online news group, Web site, or blog. More generally, 61 percent look online for health information, and 42 percent say they or someone they know has been helped by info found on the Internet, while only 3 percent say they or someone they know has been harmed by info found on the Internet. These figures suggest that blogs and other Internet sources are playing a largely useful role in health awareness.

      “Blogs have the benefit of letting readers interact with writers: ask questions, make contrary points, describe personal experiences (that other readers then get to share). On the other hand, not all blogs are as responsible as the NYT’s and the WSJ’s may be assumed to be. And quality control on reader postings ranges from limited to nil. … I regret (understatement) any extent to which health reporting is a zero-sum game—where the growth of health blogs on the Web means the shrinkage of health sections in the paper.”

      Over at the University of Minnesota’s alumni magazine, there is a great interview with Gary Schwitzer, an associate professor in the School of Journalism and Mass Communication at the University of Minnesota who is an expert on health journalism. Schwitzer publishes an award-winning Web site critiquing health care journalism, maintains a health-related news and resource site, and is helping to train the next generation of health care journalists.

      In “Sick About Health Care,” Schwitzer is especially critical of the way journalists cover disease and treatment.

      “It’s a troubling time and there isn’t time to waste space or air time or column inches on breakthroughs and cures and miracles and fluff. We’re not asking tough questions: What’s the quality of evidence? Who’s going to have access to it? What’s it going to cost? Who’s your source? What are his or her conflicts of interest? This is not only a lesson for journalists, but a lesson for consumers. These are things we should be asking of anyone who makes health care claims. Including your own caregiver…”

      He also has tough words for the medical, drug and insurance industries:

      “We are over-medicalized. We sell sickness. We fearmonger. We disease-monger. We are actually again being sold on the weapons of mass destruction in our lives, but these are weapons of mass destruction inside us. You’d better have a scan, although nothing is wrong with you. Under the banner of doing good we are doing harm.”

      Both articles are excellent ways to inform yourself about the quality of reporting being done on this urgently important topic. Schwitzer also mentions the work of AP medical writer Carla Johnson, who has utilized her attendance at evidence-based journalism workshops to produce stories that take a close look at the results of a new treatment or approach before hailing it as a “breakthrough” or “miracle” (which are two words Schwitzer says health writers should never use).

      Cyber-journalism and linking: making it click
      BeatBlogging.com had a couple of nice links recently relating to the ethics of hyperlinking and tools that may enable reporters to be even more wired and mobile than ever.

      In “Why We Link,” Ryan Sholin discusses why outside links are not just good in a news story, but vital. For those involved in online writing who are not trained in journalism, this may seem like a no-brainer, but there are significant questions of accuracy and quality of link-based information that traditional journalists have rightly raised.

      Sholin lists five reasons why linking often and intelligently benefits journalists, and one of his best arguments is that it is one of the best ways to connect with the online community in one’s town:

      “If you’re writing about human beings, businesses, organizations, government institutions or any other life form with a presence on the Internet, linking to them in the stories you publish about them is the low-hanging fruit when it comes to participating in your local online community.

      “Skipping the link to the city council’s calendar when you mention the next meeting, leaving out the link to the Little League’s online scoreboard when you write a story about its resurgence or not bothering to link to the full database of restaurant inspections when you choose three to write about — these are all easy ways to miss an opportunity to connect with your community and your readers.”

      Meanwhile, the same week that the above article came out, BeatBlogging also published a post by Patrick Thornton on tools that may help redefine reporting. He discusses MiFi networks (which are like small-scale Wi-Fi wireless networks), the newest iPhone (which can easily edit and share, as well as record, video and photos), and the increasing affordability of digital cameras and netbooks.

      All this points to reporters being able to blend online research and good old-fashioned legwork out in the field, Thornton says. It also means the days of hearing “that’s not my job” in the newsroom (or over the phone!) are gone.

      “The era of specialized journalists may be coming to an end. By specialized, I mean people who only write, edit, take photos, etc. Most content producers should be able to at least write and take competent photos and video. A news org may still want a few dedicated photographers and videographers around for big stories and high-end content. Journalists will probably be specializing more in beats and niches and less in a specific content production means.”

      I agree with Thornton on this last point, and argue (as a writer and editor with video production experience) that once one gets to a certain point with tool knowledge, what counts in producing media content is the ability to frame a story and tell it well, not one’s expertise in a niche skillset.

      Bonus Links!

      Even our bonus links are a two-fer this time. Both are from Mashable.com.

      Everything I Need to Know About Twitter I Learned in J-School
      Great description of parallels between reporter training in journalism school and successful Twitter posts.

      Nonfiction Tweets: 70+ Authors to Follow on Twitter
      Lists Twitter feeds for numerous nonfiction writers from various genres.

      Write this Way: Writing and Editing Links for February 16, 2009 February 16, 2009

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      Tips for “tweeting” productively on Twitter, confusion surrounding the best way to save journalism in the digital age, and myths and truths about freelancing are all on tap today in our monthly link-fest. Plus, a couple of fun and useful bonus links (as always).

      Our first featured link comes from Maria Schneider’s excellent blog, Editor Unleashed. Like many writers, I’ve been struggling to figure out the best way to use Twitter, a social networking application centered around text-message-length communications (140 characters or less), and she has come up with writer-specific Twitter tips, plus a list of 25 folks to follow on the service, including authors, agents, book publishers and publicists.

      Schneider, a former editor of Writer’s Digest, admits that Twitter can be intimidating at first:

      “At first, Twitter feels like being at a cocktail party where you know no one. But if you focus on making the right connections, Twitter can actually be quite useful.

      “There’s a bunch of publishing types using Twitter and following them is tapping into the zeitgeist—a never-ending stream of conversations, random thoughts and links. It gives you access to lots of smart, interesting, connected people.”

      In case you’re wondering what you’re actually supposed to say/do (or “tweet,” in Twitter parlance) once you’re connected to these people, she has also written a very insightful post on how to build up your Twitter “street cred.” For example, I learned that you should follow the 60/40 rule when promoting your own stuff to the Twitterverse, as well as the fact that you should never ask for followers—Schneider calls it Twitter suicide.

      All in all, her posts are a friendly introduction to the fast-moving, almost ephemeral world of Twitter—and a good guide to using it for more than detailing what you had for breakfast.

      Our second stop today is at the Knight Digital Media Center’s News Leadership 3.0 blog, where veteran journalist Michele McLellan has posted parts one and two in a multi-part series on ideas that get in the way of saving journalism.

      It seems everyone with a pulse (or at least a journalism degree!) is aware of the business struggles of daily newspapers across the nation. In her first post, McLellan takes on the idea that only the newspaper industry can produce quality journalism, and that endowments should be used to save newspapers in communities where a for-profit model is failing:

      “Right now, the newspaper industry does produce the bulk of original reporting that we find in print and on the Internet …. But the superior performance of the Internet for a growing number of users and advertisers is transforming the journalism and the business model, and thought leaders in the industry itself recognize there is no going back.

      “As long as people believe that only the news industry equate newspapers-only with good journalism, the debate is heading down a blind alley. It might be possible to raise an endowment for a beloved newspaper in a few communities. But I don’t see a lot of monied people—much less taxpayers if that is proposed—willing to underwrite a product that is only one player, albeit an important one, in the field.”

      After that treatise, she takes on the even stickier issue of whether readers will pay for online content in her second post. She admits there are no easy answers. The newspaper-centric model of paying a set fee for all content bundled by a single provider hasn’t worked, and the potential for micro-payments to take up the slack from traditional publication advertising is extremely controversial. Other models, which include voluntary consumer funding of projects they deem worthy of coverage (keeping tabs on the local school board, for example), are still very much in the development stage.

      Whatever your belief about the future of American newspapers and/or journalism, this series of posts will give you food for thought.

      Finally, if you’ve worked as a freelance writer or editor for years, as I have, you tend to rub up against some very odd notions of what your life as a freelancer must be like. And if you’re a newbie freelancer, you may very well wonder if the ecstatic or apocalyptic claims of the joys or sorrows of the freelancing life could possibly be true. Laura Spencer, a contributing author at Freelance Folder blog, did a great job recently of sorting out some lies, myths and half-truths related to freelancing.

      She covers everything from needing money to get started freelancing (a myth, she says) to freelancers typically working for next to nothing (a half-truth, she asserts). Here’s her take on the number one item on her list, “freelancing is an excuse for not working at all.”

      “According to this myth, none of us are working . . . not really. We are either spending our days playing computer games or in front of the television with a box of chocolates….

      “The real culprit here is the difference between the experiences of a significant portion of the population and that of most freelancers. For many people, work is synonymous with a place that you go each day. If you don’t go anywhere, then you must not be working. Technology is changing this perception, but it will take some time before it is completely gone.”

      Bravo! And if you like that train of thought, Laura also posted a companion piece on 10 things you’ve heard about freelancing that are actually true.

      BONUS LINKS!

      Storybest

      Storybest is a “social content network” for storytellers (of any genre) powered by the filtering/ranking service coRank.

      CPSIA: Book Banning in the Guise of Safety

      A cautionary tale from the Bookshop Blog on (we hope) unintended consequences of Consumer Product Safety Commission’s updating of the Consumer Product Safety Improvement Act (CPSIA).

      Write This Way: Writing and Editing Links for December 3, 2008 December 3, 2008

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      Our monthly hyperlink love-fest has information on using mindmapping to organize writing assignments and writing workload, a challenge to fail faster in your writing work (in order to ultimately succeed), and a site dedicated to helping beat reporters make the most of online social media. Plus a handful of bonus links designed to pique your curiosity as a writer!

      1. First, since one of the most popular posts on this blog so far has been 3 cool tools for mapping story ideas, so perhaps it’s no surprise that in the last week or two, there have been at least two good posts related to using mindmaps to manage workflow and organize one’s work.

      At FreelanceSwitch, Raj Dash posted an entry on managing multiple freelance gigs with mind maps. The post discusses how to map out daily tasks, both billable ones and tasks that lead to billable work, and keep yourself in a productive, not stressed-out mode. The method is a little involved, but it may provide you with the oomph your freelancing needs to be profitable.

      Meanwhile, over at Write to Done, Chief Editor Mary Jaksch recently posted on how to use mind maps as a “genius tool” for writers. She lists several different ways in which the mapping technique can help writers work smarter:

      “A mind map is a great way to keep track of a project. It allows you to get a mental screenshot of where the project is at. As a project slowly matures, all completed files can be attached to the map.

      “Complex projects always have many different lines of development to follow. A mind map can hold all of these different streams at one glance. For example, if you wanted to start a new blog, you would need to keep track of creating a brand, designing a logo, choosing a platform, creating content, designing a website, setting and launching the blog, and so on. A mind map can hold all these different planning streams.”

      Jaksch gives tips on what to look for in an online mindmapping progam, as well, and gives her opinion on several commonly used packages. Together, her post and Raj’s at FreelanceSwitch complement each other nicely.

      2. Are you timid about putting your ideas out there for editors to examine? Jenny Cromie at The Golden Pencil blog recently began a contest for readers through the end of the year that she calls the Rejection Letter Olympics.

      Every Friday, Jenny posts themes and ideas for contestants, and they send out as many query letters and letters of introduction as they can. Points are awarded for rejections, yes, as well as assignments. As Jenny explains it,

      “I’m basing this weekly challenge on the very sage advice of Thomas Watson, founder of IBM: ‘If you want to increase your success rate, double your failure rate.’

      “…Someone early on in my freelance career told me that every no gets you closer to a yes…I am setting up this challenge to reward you for sticking your freelance neck out there and risking rejection. Because eventually (possibly much sooner than you think) you will get a yes.”

      Kudos to Jenny for rewarding risk-taking!

      3. If you’re a newspaper reporter, or care about the fate of journalism, take a look at BeatBlogging.org. The blog, which is a creation of NewAssignment.net, that examines how beat reporters can use social networking and other Web tools to improve their stories.

      What separates this site from many others on the online journalism front is its unwavering focus on beat reporting, and the blog’s almost daily provision of real-world examples from reporters who are using social media (Twitter, blogs, etc.) to enrich their work. It has a “Leaderboard” comprised of these exemplary reporters, who are nominated by readers.

      The site is a great resource for anyone who wants to keep tabs on the latest trends in reporting in today’s Web 2.0 environment.

      Bonus links!

      One Sentence: True stories, told in one sentence

      Timeline of Online Journalism Milestones

      How to Find Expert Sources and Real People to Interview for Articles

      Write This Way: Writing and Editing Links for September 10, 2008 September 10, 2008

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      Photo courtesy of SXC.

      After a brief delay, we’re back with our monthly literary link-fest! This episode includes words of blogging wisdom from an online journalist, a bit about using software to increase your writing productivity, a terrific blog on book publishing, and a contest deadline to nominate your favorite writing blog!

      In a Web 2.0 world, one year seems like a century. Wasn’t it only yesterday that we thought faxes were a great way to exchange edits on a manuscript?

      The good folks at the UK’s Online Journalism Blog are celebrating the site’s 1000th post with an entry on 1000 Things I’ve Learned About Blogging. It’s a pithy romp through all the ways in which our writing has been influenced by trends in the blogosphere.

      Just to give you a sample of the sorts of observations the OJB authors are making, here are the first five items on the list:

      1.    Blogging is not ‘writing a blog’. Blogging is linking and commenting. Any writing is a bonus.
      2.    Regular posting is important…
      3.    But quality posting is even more important. Spending a week or more on a single post can be one of the most important things you ever do.
      4.    First knowledge, then analysis, then ideas.
      5.    A picture is worth a thousand words. More importantly, a picture is worth a thousand words in two hundred countries. The fact that readers don’t need to speak English to understand what you’re communicating can make a word-free post – or at least one with a good image – your most successful one.

      It’s a great post, although I’m going to be a spoiler (or perhaps a messenger of relief!) and let you know there aren’t 1000 items on the list. What the OJB folks have collected in terms of wisdom over the years is definitely well-distilled and presented here.

      There was also an interesting post last week at Web Worker Daily on 6 Tools for Changing Your Writerly Rhythms. I don’t normally think of software as being key to producing prose on time and without sweating bullets, but this post mentions a number of tools and hacks you might find interesting, such as 7 lesser-known tips for getting the most out of Microsoft Word.

      If you’re aiming to get a book published soon, or if you just find the process authors go through to get their books out in the world sort of interesting, you’ll want to check out Alan Rinzler’s The Book Deal
      blog.

      Rinzler calls his blog “A Publishing Blog for Writers and Book People,” and it is full of interesting interviews with published authors, notes from Rinzler’s editing work, and more. Start your trip into Alan’s blog with this hilarious guest post by author Lisa Haneberg detailing her implosive experience at a Barnes & Noble while out on a book-signing tour.

      Finally, if you want to give some props to your favorite source of writing inspiration, Michael Stelzner’s Writing White Papers blog is having its annual Top 10 Blogs for Writers contest. The deadline for nominations is this Friday, September 12, and the comment field on this post already has 250+ nominations!

      If you reach this post after the deadline, or you just want to see what other blog writer-readers are finding inspirational, you can always peruse the blog’s list of last year’s winners.

      And while it didn’t occur to me while I was gathering links for this post to suggest that readers nominate Write Livelihood, I certainly wouldn’t mind if you shared the love, and spread the word, about this little blog! (Thanks in advance if you are so inclined!)