Tips for “tweeting” productively on Twitter, confusion surrounding the best way to save journalism in the digital age, and myths and truths about freelancing are all on tap today in our monthly link-fest. Plus, a couple of fun and useful bonus links (as always).
Our first featured link comes from Maria Schneider’s excellent blog, Editor Unleashed. Like many writers, I’ve been struggling to figure out the best way to use Twitter, a social networking application centered around text-message-length communications (140 characters or less), and she has come up with writer-specific Twitter tips, plus a list of 25 folks to follow on the service, including authors, agents, book publishers and publicists.
Schneider, a former editor of Writer’s Digest, admits that Twitter can be intimidating at first:
“At first, Twitter feels like being at a cocktail party where you know no one. But if you focus on making the right connections, Twitter can actually be quite useful.
“There’s a bunch of publishing types using Twitter and following them is tapping into the zeitgeist—a never-ending stream of conversations, random thoughts and links. It gives you access to lots of smart, interesting, connected people.”
In case you’re wondering what you’re actually supposed to say/do (or “tweet,” in Twitter parlance) once you’re connected to these people, she has also written a very insightful post on how to build up your Twitter “street cred.” For example, I learned that you should follow the 60/40 rule when promoting your own stuff to the Twitterverse, as well as the fact that you should never ask for followers—Schneider calls it Twitter suicide.
All in all, her posts are a friendly introduction to the fast-moving, almost ephemeral world of Twitter—and a good guide to using it for more than detailing what you had for breakfast.
Our second stop today is at the Knight Digital Media Center’s News Leadership 3.0 blog, where veteran journalist Michele McLellan has posted parts one and two in a multi-part series on ideas that get in the way of saving journalism.
It seems everyone with a pulse (or at least a journalism degree!) is aware of the business struggles of daily newspapers across the nation. In her first post, McLellan takes on the idea that only the newspaper industry can produce quality journalism, and that endowments should be used to save newspapers in communities where a for-profit model is failing:
“Right now, the newspaper industry does produce the bulk of original reporting that we find in print and on the Internet …. But the superior performance of the Internet for a growing number of users and advertisers is transforming the journalism and the business model, and thought leaders in the industry itself recognize there is no going back.
“As long as people believe that only the news industry equate newspapers-only with good journalism, the debate is heading down a blind alley. It might be possible to raise an endowment for a beloved newspaper in a few communities. But I don’t see a lot of monied people—much less taxpayers if that is proposed—willing to underwrite a product that is only one player, albeit an important one, in the field.”
After that treatise, she takes on the even stickier issue of whether readers will pay for online content in her second post. She admits there are no easy answers. The newspaper-centric model of paying a set fee for all content bundled by a single provider hasn’t worked, and the potential for micro-payments to take up the slack from traditional publication advertising is extremely controversial. Other models, which include voluntary consumer funding of projects they deem worthy of coverage (keeping tabs on the local school board, for example), are still very much in the development stage.
Whatever your belief about the future of American newspapers and/or journalism, this series of posts will give you food for thought.
Finally, if you’ve worked as a freelance writer or editor for years, as I have, you tend to rub up against some very odd notions of what your life as a freelancer must be like. And if you’re a newbie freelancer, you may very well wonder if the ecstatic or apocalyptic claims of the joys or sorrows of the freelancing life could possibly be true. Laura Spencer, a contributing author at Freelance Folder blog, did a great job recently of sorting out some lies, myths and half-truths related to freelancing.
She covers everything from needing money to get started freelancing (a myth, she says) to freelancers typically working for next to nothing (a half-truth, she asserts). Here’s her take on the number one item on her list, “freelancing is an excuse for not working at all.”
“According to this myth, none of us are working . . . not really. We are either spending our days playing computer games or in front of the television with a box of chocolates….
“The real culprit here is the difference between the experiences of a significant portion of the population and that of most freelancers. For many people, work is synonymous with a place that you go each day. If you don’t go anywhere, then you must not be working. Technology is changing this perception, but it will take some time before it is completely gone.”
Bravo! And if you like that train of thought, Laura also posted a companion piece on 10 things you’ve heard about freelancing that are actually true.
Storybest is a “social content network” for storytellers (of any genre) powered by the filtering/ranking service coRank.
A cautionary tale from the Bookshop Blog on (we hope) unintended consequences of Consumer Product Safety Commission’s updating of the Consumer Product Safety Improvement Act (CPSIA).