Karol Gajda, travel/lifestyle blogger at Ridiculously Extraordinary, discusses a recent discussion he had with other bloggers about what formulas for success really work, and he comes up with the conclusion that few pre-packaged directions work for everyone, but experimentation among success models can help identify what really resonates with the key audience for a blog.
Jennifer Van Grove, writing on Mashable.com, has compiled an interesting roundup of apps and sites designed to facilitate news consumption. Includes everything from StumbleUpon and beyond-the-bookmark sites Instapaper and Read It Later to social news apps News.me, Zite, and Smartr. Anyone writing nonfiction for traditional print media will want to review this list for ideas on how to shape stories for an increasingly online/mobile audience.
Patrick Ross, writing in the first few days after the U.S. military raid in Pakistan that led to the death of Osama Bin Laden, crafts a beautiful post that emphasizes that the man who pulled the trigger to kill Bin Laden, like the Navy SEAL team of which he is a member, has a story, one which he is eager to hear. The post and the comments that follow are a valentine to the power of story to humanize events with heavy historical importance.
Lauren Rabaino provides several great tips for using your iPhone as a serious reporting tool. Most of them apply equally well to almost any smartphone. Some of my favorites: organize your apps, buy an audio adapter, use solid objects as a stabilizer for video.
The PR Newswire Editorial team frequently catches obvious mistakes in press releases submitted for distribution over the wire – missing quotation marks, the website that doesn’t end in .com (or .org, etc.). They also read every release carefully, double checking minute details. In March 2011 alone they found more than 12,000 mistakes. Here are some examples of mistakes that can reflect poorly on an organization – and some tips for fixing them before you hit “send.”
An interesting short post by Simon Owens relating how Orlean, who’s written many popular fiction and nonfiction books, has used Twitter to receive feedback, promote her work, connect with writers and editors and stay in touch between projects.