Author and editor Lee Gutkind, dubbed by Vanity Fair as “the Godfather behind creative nonfiction,” discusses his new book. To research “Almost Human: Making Robots Think,” Gutkind immersed himself in the world of the Robotics Institute at Carnegie Mellon University, where students, researchers, scientists and engineers are attempting to create robots that can react autonomously to changing circumstances.
Jessica Roy posts about a new Twitter initiative, Twitter for Newsrooms (#TfN), a compelling resource akin to Facebook for Journalists, that will help optimize the platform’s reporting potential. The guide contains four sections, #report, #engage, #publish and #extra, each with a variety of best practices geared towards streamlining Twitter reporting and making Twitter a more efficient journalism tool.
Online/entrepreneurial journalism expert Adam Westbrook discusses some of the currents moving in the world formerly known as “television” (and secondarily “film”) and exhorts those interested in making inroads in this world in the future to stop competing for training slots in the “old” paradigm channels and pick up a camera and start creating content NOW.
Laura Vanderkam, author of “168 Hours: You Have More Time Than You Think,” presents an awesome guest post that gets right to the heart of what keeps most writers from completing a book-length manuscript – time issues – and offers great suggestions for surmounting those challenges.
Matylda Czarnecka provides some solid and inspiring thoughts about why journalists can and do succeed as entrepreneurs in a for-profit business (whether news-related or not). Some of my favorites from her reason list: journalists are good researchers and connectors, journalists know how to ask open-ended questions and journalists are used to negative feedback.
Wild, complex, amazing visual based upon the “Tropes of Legend” from the TV Tropes Wiki that outlines basic storytelling structures using the periodic table of the elements as a frame. Aimed at fiction works, but the examples of how the “elements” can be combined (at the bottom of the post) could be a useful cross-pollinating reference for nonfiction writers.