Image courtesy of Mediactive.com.
I was lucky enough to grab an e-copy of Dan Gillmor’s book, Mediactive, on Amazon while it was 99 cents. Although the price has since gone back up to $5.99, the book is well worth it. It’s a great read for anyone who cares about the present and future state of journalism as it’s practiced in America, and works equally well for journalists and other nonfiction writers and those who simply wish to know about the world around them via the media.
Gillmor is the director of the Knight Center for Digital Media Entrepreneurship and the Kauffman Professor of Digital Media Entrepreneurship at Arizona State University. (And in interest of full disclosure, I’ve interacted with Dan in my day job at ASU, via a podcast on writing today and asking him to judge a writing contest for the magazine I edit.) Before coming to ASU, Gillmor wrote the book We the Media and was a technology columnist for the San Jose Mercury News from 1994 to 2005.
The main thing that makes the book so good is Gillmor’s ability to parse both the current state of American media and what skills citizens need to cope with the implosion of traditional journalism’s business models. As a consummate participant-observer in the new media landscape (and a veteran of the old-school newspaper industry), he’s well equipped to critique what went wrong with journalism over the past 20 years, why it hasn’t adapted well to the rise of the Internet and digital culture in general, and what exciting experiments are going on along the fringes that are poised to move to the mainstream soon.
Here’s what he says about the promise and the challenge of the media landscape in the early 21st century:
Welcome to 21st century media. Welcome to the era of radically democratized and decentralized creation and distribution, where almost anyone can publish and find almost anything that others have published.
Welcome to the age of information abundance. And welcome to the age of information confusion: For many of us, that abundance feels more like a deluge, drowning us in a torrent of data, much of whose trustworthiness we can’t easily judge. You’re hardly alone if you don’t know what you can trust anymore.
But we aren’t helpless, either. In fact, we’ve never had more ways to sort out the good from the bad: A variety of tools and techniques are emerging from the same collision of technology and media that has created the confusion. And don’t forget the most important tools of all—your brain and curiosity.
Mediactive is useful to both professional journalists and those who care about what happens in our society because he discusses skills needed by both media producers and their so-called consumers. He focuses especially intently on work being produced by those who are not traditional journalists, but who create media that gets into our virtual news feed, including bloggers or YouTube’s amateur broadcasters. While he often notes the shortcomings of such work, he generously praises citizen-journalists and nonprofit organizations for engaging in what he calls “almost journalism,” producing fact-filled background reports that shed light on stories the mainstream media misses.
I’ve read a number of articles and books discussing the state of journalism today, and I have to say that Gillmor surveys the media landscape far more clearly and less defensively than most of his peers. I particularly like his explanations of nuanced concepts. For example, he makes a persuasive case that media outlets should drop the charade of presenting themselves as bias- or viewpoint-free, and suggests reasonable alternatives. Here’s a sample of what he has to say on the issue:
Professional journalists claim independence. They are typically forbidden to have direct or indirect financial conflicts of interest. But conflicts of interest are not always so easy to define. Many prominent Washington journalists, for example, are so blatantly beholden to their sources, and to access to those sources, that they are not independent in any real way, and their journalism reflects it.
Mediactive is potentially useful to a wide variety of people who care about journalism and other forms of nonfiction writing – reporters and editors, new media creators such as bloggers and podcasters, and ordinary people who care about what they read in the news and want to ensure they are truly well-informed. Gillmor walks newbie media creators through the essential tenets of trustworthiness (and provides an excellent refresher for the rest of us) without becoming pedantic or stodgy. The book, like the thinking behind it, is fresh, and Gillmor has used his http://mediactive.com site to make the book a living document, adding examples and continuing the conversation on these topics in his blog.