Young journalist Stephanie Schaefer discusses how reporters of any age can stay passionate, and keep their careers viable, in today’s greatly altered media landscape. She encourages writers to study and leverage how readers are engaging with content these days (mobile/social media), to learn how to craft or collaborate with others to create integrated, multimedia/multisensory story experiences, and to retain a passion for storytelling. I couldn’t agree more with her points, and her optimism is refreshing without seeming naive.
For old-school journos, this headline on the Nieman Journalism Lab blog is going to sound like heresy – until you consider that all the public affairs reporting done over the years is generally provided with the intent of making readers lives more functional by providing a comprehensive look at pressing problems and possible solutions, in addition to examining when a system is broken. Jan Schaffer, executive director of American University’s J-Lab, argues that with the changing business models for new media outlets, she is also seeing a change in how these outlets view their role in the community when it comes to presenting options to the status quo or encouraging particular solutions:
“To be sure, advocacy is still a dirty word for legacy journalists, unless it’s an editorial-board crusade. But activating examples are rising from both inside and outside mainstream media. …
“From my perch, I see many indie news startups embrace what I call more of a “soft-advocacy” comfort level with news. ClearHealthCosts.com is partnering with WNYC to map widely disparate costs of mammograms in the New York region. PlanPhilly has not only spotlighted the enormous problem of delinquent property taxes in Philadelphia, it reported on how the city might fix its broken system. When Catalyst Chicago reported there were too many empty seats in the city’s pre-school programs, it didn’t stop there. It worked with local community organizations to produce a series of forums on early childhood education. A year later, nearly all the pre-school slots were filled.”
Overall, a very interesting look at where journalism is headed, and how embracing this evolving role might also help make the new ventures more profitable/viable, as well.
I’ll be honest – I could do with out the scare quotes in this Poynter.org blog post headline. I found them unbelievably off-putting, but this post by Shane Snow, who creates sponsored content for clients through his firm Contently, is actually a very solid guide for journalists who want to/are working both sides of the editorial fence. I am in complete agreement with Shane’s remarks about the need to retain a highly calibrated ethical compass:
“With the exception, perhaps, of independence, branded content ought to abide by the same principles as journalism: honesty and fairness, accountability and transparency. And because the goal of brand journalism is to create a favorable impression of a brand in order to further various business goals, disclosure must be added to its list of ethics principles. …
“It’s all about not deceiving readers. Brand publishers should make clear who is behind a piece of content and why. Journalists who write for brands need to ensure their clients understand the ethical reasons for such disclosure.”
If you’re drawn to the increasing number of good-paying gigs in content marketing, but are wary of tarnishing your reputation in traditional media, you need to read this piece.
Get ready for a new way to engage with workshop/presentation content: this Storify version of a talk presented by Will Coley, nonprofit staff member turned public radio evangelist and Minnesota Public Radio reporter Sasha Aslanian includes an embedded slideshow on Prezi (which sort of blows PowerPoint out of the water …), live-tweets from the talk, and text summaries of their remarks. You can also access their radio example, an interview with Valencia, a local Twin Cities teen experiencing homelessness.
The thing I found most useful, as an aspiring audio producer, is the list of advantages to using audio for nonprofit storytelling. One that’s right at the top is that audio provides greater anonymity for subjects who may be in situations which call for confidentiality and privacy, while retaining a sense of intimacy with listeners. Another advantage for audio is that it is far cheaper to produce.
If your organization is thinking about multimedia storytelling, and they seem to have overlooked audio-only content, read/view/listen to this post and you can advocate for adding public-radio style audio storytelling to the mix.